Preview: London Design Festival

Bellman carts: ‘Trapped in a corner of late modernism that has no saving graces’

Peter Opsvik: ‘My theory about sitting is simple: if we are allowed to move, we move’

100% Design Preview: Design London at LDF

Josef Vaněk’s Šumperák family house took Czechoslovakia by storm

Map started out as Barber & Osgerby’s consultancy arm, but has evolved into something quite new

Conferencing systems from Thonet work beautifully in any style of architecture

What’s next for Danish design?

Cambodia’s modernism is a poignant reminder of the post-independence era

Victor Castanera

Design Miami/Basel: ‘The insistent marketing of limited-edition design art has proven quite fruitful’

After Grenfell

The State of Illinois Center by Helmut Jahn: ‘It is about as subtle as an exploding meteorite’

Husqvarna chainsaw: ‘The perfect product for a weapons manufacturer to produce in times of peace’

Adam Guy Blencowe: ‘It’s important that furniture has its own character, depending on where it is manufactured’

London Design Biennale: ‘We hope to inspire a diverse, global commentary on our emotionally turbulent times’

‘There is something horribly Victorian about Deliveroo’

Samy Rio: ‘There is a lot of similarity in the shapes the ceramic and glass craftsmen achieve’

Dazzle ships: The most eccentric daubings in the history of camouflage

The Coolicon story

Mosa presents μ – A floor tile series designed to interact with space and time